You can check the features, overview of the Panasonic Lumix DMC-FZ35 12.1MP Digital Camera with 18x POWER Optical Image Stabilized Zoom and 2.7 inch LCD and the special prices at Panasonic Lumix Reviews and Ratings
As I get into somewhat gory detail in this rather lengthy review, let me net it out in the beginning: this is an extraordinarily versatile camera of surprising quality for its price. It has enough serious features to merit a 219-page manual (in PDF format, not hardcopy), and yet with the camera in full automatic mode no technical experience is necessary to make outstanding pictures (all that's required is a good artistic eye)--after more than 50 years of photography as a hobby, I am beginning to worry that this camera may be smarter than I! On top of that, it doubles as a more-than-adequate HD camcorder. Photography and videography are two of my greatest motivations for, and preoccupations while, traveling the world; and this camera is the only camera, still or video, that I plan to take on my next trip.
Based on numerous reviews by professional critics as well as consumers, I narrowed down my choice of advanced compact digital cameras to two: the Canon Powershot SX20 IS and the Panasonic Lumix FZ35, both superzooms, the former 20X, the latter 18X. As I was in the market for a travel camera, a DSLR or Micro Four Thirds with a set of interchangeable lenses was out of the question--too bulky and too much time switching from one lens to another. The 3X and 4X zooms that are common on point-and-shoot cameras, and often part of the bundle when buying DSLR or Four Thirds cameras, lack true telephoto capability, ranging from weak wide-angle to just barely beyond portrait focal length. Besides at least a 10X zoom, my other inflexible requirement was that the camera have an eyepiece viewfinder in addition to an LCD monitor; and that narrowed the field considerably.
There are numerous small differences between the two cameras, and I refer you to the professional reviews to examine all the pros and cons of each camera. Consumer ratings place the two cameras neck-and-neck. My decision came down to choosing between the flip-out, tiltable LCD on the Canon and Panasonic's ability to make photos in RAW format--a very tough choice. I decided on the Panasonic as it seemed to lean a little more toward a photo-enthusiast camera; and there were also minor factors such as its lighter weight (again with travel in mind), its more compact lithium-ion battery versus the universality of AA batteries that the Canon uses, its threaded lens allowing for attachment of any standard 46mm polarizing filter, and Panasonic's use of the AVCHD Lite movie format, which makes it possible to remove the SDHC memory card and play it back directly in a Panasonic Blu-ray player.
The plethora of features on the Lumix is mind-boggling, and some are more useful to me than others. One that I was especially happy to find, because it had not been mentioned in the reviews I had read, was its panorama mode. Not only does it provide a superimposed grid to assist one in keeping the successive frames lined up, it puts the relevant portion of each shot into the viewfinder as one is composing the next frame, insuring that one pans just the right amount to provide the correct overlap to allow successful stitching back at the PC, where the bundled software not only does a great job of stitching but also provides a 360-degree viewing mode that is especially cool.
Bear with me for what may seem an irrelevant digression, but it pertains to the extraordinary picture quality I am getting from this camera. Once I received it (two weeks ago as of this review) and thus had behind me the choice between direct competitors, my interest turned to whether or not I might be making a mistake if I left my Nikon D50 DSLR and Canon HD30 camcorder at home and only took the Lumix FZ35 on an upcoming trip, putting aside the question of whether or not it would be wise to put all my photographic/video eggs into one basket. This led me to some fairly extensive comparisons between the Lumix and my five-year-old Nikon DSLR, the latter being equipped with a Nikon 18-200mm VR (vibration-reduction) zoom. I wondered if the 4-5-year technological advantage of the Lumix FZ35, including its 12-megapixel format versus 6 megapixels in the Nikon, would make it in any way comparable to the camera outfit that had cost me nearly five times as much. I was especially concerned that 12 megapixels might be nothing more than part of a specifications war and might be rendered completely irrelevant if the lens and focusing system were unable fully to take advantage of the high resolution, because, as much as I wanted to lighten my luggage, I did not want to sacrifice my ability to make large frame-able pictures.
The answer is that with adequate light, the photos from the two are virtually indistinguishable. In terms of resolution, the math is straightforward: assuming a print resolution of 300 dpi, the Nikon makes 10x6.7-inch enlargements; the Lumix, 13.3x10 (the maximum pixel count is reached at 3:2 aspect ratio for the Nikon and 4:3 for the Lumix). In practice, one may not be able to enlarge Lumix photos any more than the Nikon because of the higher noise level of the Lumix; however, I am very happy to find that the Lumix can indeed match the enlarging capability of the Nikon with no compromises under normal outdoor lighting.
In the last paragraph I qualified my findings by twice mentioning lighting levels. This brings me to the one major difference between the two classes of cameras (compact versus either a DSLR or Four Thirds): the size of the photo-pickup (CCD). The far smaller pickups in the compacts introduce significantly larger amounts of digital-camera noise at comparable ISO settings. I found that in the Lumix any ISO greater than 400 was pretty much unusable if one has a critical eye at all; or to put it another way, ISO 400 on the Lumix was roughly equivalent in noise to 1600 on the Nikon. At 200 ISO or below (well, actually the Nikon does not go below 200; but the Lumix has settings down to 80), the two cameras both exhibited negligible noise. Both my Nikon and the Lumix top out at ISO 1600; and while it is tempting to say that ISO 1600 is useless on the Lumix, it does at least allow one to get the picture, and to some extent one can reduce the noise to an acceptable level--at the expense of detail--using photo-processing software on a PC or Mac.
The noise issue is significant, as it affects not only low-light photography but also action photography--any time one would like to use higher ISO settings. The fairly large apertures available on the Lumix (starting at f 2.8 at the wide-angle end of the zoom) help a little bit in that for any given situation they allow the use of a slightly lower ISO, but we're only talking about a difference of maybe ISO 200 versus ISO 300--pretty insignificant when what one really needs is ISO 1600. Incidentally, the Lumix's smallest aperture is f8, limiting its potential for great depth of field.
Although the image stabilization on the Lumix has been reported in some reviews to be superior to that in the competing PowerShot, I do not find it to be as good as that in my Nikon VR zoom, although I hasten to add that my observation is not based on scientific tests. I'm just finding so far that I have made more motion-blurred photos with the Lumix than with the Nikon during my experimentation over the past two weeks. I also note a slight twitch in the image in movie mode when zoomed out beyond 10x.
The best surprise in the Lumix was the high quality of the zoom lens. It exhibits lower geometric distortion than my Nikon zoom and focuses just as sharply.
These findings are not to imply that a relatively inexpensive compact can match the quality of a pricey DSLR or Four Thirds system (by the time one outfits it with extra lenses). Technology has moved forward for these cameras, too, which now boast high megapixels without the noise that accompanies the small-pickup compacts, and many more ease-of-use features than the DSLRs used to. One does have to ask oneself, however, whether the higher quality in challenging light conditions is worth paying four or five times as much for.
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Brand: Panasonic
Model: DMC-FZ35P-K
"Panasonic Lumix DMC-FZ35 12.1MP Digital Camera with 18x POWER Optical Image Stabilized Zoom and 2.7 inch LCD" Feature
- 12.1-megapixel resolution
- 27mm wide-angle Leica DC Vario-Elmarit lens; 18x optical zoom with POWER O.I.S.
- HD movies with 1280 x 720-pixel resolution; AVCHD Lite format
- 2.7-inch TFT LCD screen
- Capture images to SD/SDHC memory cards (not included)
"Panasonic Lumix DMC-FZ35 12.1MP Digital Camera with 18x POWER Optical Image Stabilized Zoom and 2.7 inch LCD" Overview
Panasonic DMC-FZ35K Digital Camera Features
Corrective power for visibly clearer zooming
Hybrid still/motion images with POWER O.I.S. and an 18x optical zoom.
AVCHD Lite Beautiful HD movies, extended shooting time
The FZ35 records HD movies with 1280 x 720-pixel resolution. It uses the AVCHD Lite format (MPEG-4/H.264) to achieve higher image quality while storing less data than the conventional Motion JPEG. Plus, the FZ35 is equipped with an HDMI output terminal for direct transmission of digital image and sound signals. Just connect the camera to an HDTV using a single HDMI mini cable (optional) for fast and easy slideshow enjoyment.
Creative Movie mode: You can adjust the aperture and shutter speed any way you like. This mode gives you a wider range of expressive possibilities to explore in your movie making.
Zoom-in movie: You can zoom in and out while shooting movies
Stereo mic: This camera features Dolby Digital Stereo Creator, which records dynamic, true-to-life audio to bring out the power of your HD images.
IA mode (Movie): You can also use iA mode to shoot movies, and let the camera do all the work for you.
High-speed response for truly intuitive shooting
Enjoy high-speed 1.2-second start-ups, AF speeds of approximately 0.3 second, and up to five consecutive shots at 2.3 frames per second with full resolution. You can also take up to 470 photos with a single battery charge (CIPA). This comfortable level of performance lets you capture even the most fleeting shutter chances.
Wide-angle 27mm LEICA DC VARIO-ELMARIT lens and 18x optical zoom
The bright F2.8 LEICA DC VARIO-ELMARIT lens ranges from 27mm wide-angle all the way to 486mm telephoto. Combined with the double* corrective power of the improved POWER O.I.S., this makes it possible to capture subjects clearly without hand-shaking, even in the telephoto range. *Panasonic comparison
My Color mode puts you in control of the color
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Customer Reviews
Best deal out there - Michael Krause - Silicon Valley, CA
Easy to use, fantastic image quality with the option to save raw images that you can compress yourself, and a great price. Can't beat it, I would definitely say this is the best deal for a non D-SLR camera out there. The only complaint is that the focus is sometimes a little clumsy.
Great Camera for the Price - Debabrata -
This is the best shot at DSLR from a P&S camera. It 1/2 the price of DSLR and a very good purchase for the price it offers...I have surveyed and compared all Mega-zoom P&S camera and the only one that meets its features/quality (may be beats fz35 too) is SONY DSC-HX1 at almost 0 more price considering the separate memory card one needs to purchase thats way costly than usual ones (almost double for same memory & class).
However, like I said best buy for the given price no other camera comes close (apart from Sony DSC-HX1) like Nikon P90/P100 (very poor anti shake stabilization, poor video quality for 1080p or even 720p, poor picture quality and color effects), Olympus SP-800UZ & SP-600UZ with 30x & 15x zoom lenses (poor picture quality inspite of highest zoom avaliable, 30x), Canon SX20 IS, SX1 IS (use of AA battery instead of rechargeable ones), FujiPix HX10/11 (mega-zoom with CMOS but very expensive, poor video quality).
This camera has amazing video quality compareable to 1080p although it is 720p. Has good seamless zoom with AF/AE lock and auto-focus. Best anti-shake tabilization and inspite of max 3200 ISO it has takes great night pics with least noise.
It has great manual etting including RAW pics,which none of the cameras in it class/range has one. Its iA (Intelligent Auto) is still a great option to use for novice/amateur users where the camera does amazing auto-zoom, backlight compensation, red-eye correction and face-detection. In all a complete camera with more to offer for all kinds of camera lovers with great image and photo quality including color capture.
Obviously the picture quality is not as good as DSLR inspite of its high 12 MP but pretty great zoom than standard lens of a DSLR. I would highly recommend this camera if one cannot afford a camera >0.
SO FAR SO GOOD - Jan Z. Freed - LOS ANGELES
Received item in two days. The software will not work on Mac. Customer Support says, "Use iphoto" Fine with me.
You CAN save the Manual on a Mac. I like it better on puter than on paper as I can Search and Find in a thrice.
Camera seems like a work of art. I may have the best superzoom ever. Lots more capability than my old Kodak 10 mp, 10 zoom. Eyepiece very clear. Realistic photos in low light.
Will say more when I know more.
You can buy the special prices of "Panasonic Lumix DMC-FZ35 12.1MP Digital Camera with 18x POWER Optical Image Stabilized Zoom and 2.7 inch LCD" at Panasonic Lumix Reviews and Ratings.
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